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Studio Michael Müller

DREI BIOGRAPHISCHE VERSUCHE:
Kapitel 4 „Das gemachte Ich“
Solo Exhibition at Galerie du Monde, Hong Kong
17 February – 4 April 2022

DREI BIOGRAPHISCHE VERSUCHE: Kapitel 4 „Das gemachte Ich“

The exhibition series Drei biographische Versuche [Three biographical attempts] is like Müller’s personal diary from the past three decades. Through each chapter, Müller unveils his journey of self-discovery, embracing change, and self-formation.

In the first chapter Gefüge – Gefühl und Genauigkeit [Structure—Feeling and Accuracy], Müller presented his decade-long journey in the Himalayas that he embarked on in his early 20s, divulging a man’s quest to one’s cultural heritage and faith. Müller believes one must first understand and recognize one’s heritage, one is then able to form one’s own structure of thoughts and belief system.

In the second chapter Der Wolkenvermesser [The Cloud Surveyor], Müller delved into specific events and dreams from his journey in the Himalayas, further elaborating on the concepts of feeling and accuracy, the self and the other, and shifting perspectives.

In the finale Das gemachte Ich [Self-Creation], Müller exposes personal and intimate events of his life, to elaborate on the belief that “Life is Flux” (proposed by ancient Greek philosopher Heraclitus), the theory of tabula rasa, and his motto of “Do It Yourself”—asserting the notion that human beings, each individual should take charge in constructing one’s self, one’s relationship with the other and the world—through his large-scale installations in a white cube with “a dangerous open bracket”. Das gemachte Ich provides a survey of Müller’s oeuvre in every medium—drawings, paintings, sculptures, objects and performances, multiples and printed works, revealing the multifaceted creativity, formal inventiveness and wide conceptual range of the artist. Müller challenged the traditional confines of art to embrace a much broader, philosophical and humanistic practice.

  • Hände weg! (ein weißes Bild), 2021
    Acrylic, lacquer and gesso on Belgian linen
    260 × 652 × 4,5 cm

  • ईगल विंग मुद्रा (Eegal Ving Mudra), 2021
    Pencil on paper and adhesive tape
    45,5 × 125,5 × 7 cm

  • Motivbild Nr. 9 (zwei Titel)
    a.) Flex ( Double rib and Zipper)
    b.) up to day / schön stupider Vorgang
    , 2021
    (from the series Abstrakte Autogamie)
    Painting: Spray paint on printed alu-dibond and glass
    Aluminum frame and aluminum distance bar
    Sculpture: White UV resin in acrylic glass box
    Painting: 202 × 146 × 4 cm (framed), Sculpture: 8,5 × 33 × 39 cm

  • Ausstattung und Aneignung eines Objektes durch Liebe, 2013
    Oyster, metal ball and marble column
    Dimensions variable

  • aufeinander, 2015
    Acrylic, cotton and feathers
    40 × 54 × 50,5 cm

  • Mach dich selbst, 2015
    Video
    30:30 min., loop

  • Pedestal for a Thinker, 2015
    Plaster
    65 × 40 × 50 cm

  • Unfertiges Ich, 2020
    Lacquer on acrylic glass and printed alu-dibond
    150 × 269 × 6 cm

  • Can you teach me how to fight?
    Part 1: The Collapse of Identity
    Part 2: Me at the Photoshop
    , 2013
    Oil on canvas, wood and acrylic glass cover
    2 part work, each: 112 × 154 × 8,5 cm

  • Oral (Mangomilch und süßer Rauch), 2013
    Cigarette ends, colored acrylic glass, glass, mango milk, mold, paper cup and tape
    40 × 15 × 15 cm

  • Untitled
    Part 1: Schamlippen (Die Kapitalisierung aller Ressourcen)
    Part 2: TEXTILOGRAPHY
    The total capitalization of all resources or the connection of mind and matter, similar to a hooker.
    , 2020
    Part 1: Acrylic glass and different textiles
    Part 2: Ink on paper, bookbinding linen, cardboard and images
    Part 1 (Unique): 105 × 100 × 18 cm
    Part 2 (Unique): 25,5 × 21,5 × 3,5 cm